adroit
发表于 2025-3-27 00:45:28
Henner Gimpel,Nicholas R. Jennings,Gregory E. Kersten,Axel Ockenfels,Christof Weinhardtct of Shakespeare’s girl characters on the history of early modern girls as performers, patrons, and playwrights, inserting girls into the influential body of scholarship that has reshaped our understanding of women’s cultural contributions in the Renaissance.
Entropion
发表于 2025-3-27 03:56:25
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孤僻
发表于 2025-3-27 08:47:54
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沟通
发表于 2025-3-27 11:54:54
Tilman Eichstädtwould see new historicism as a kind of ghost, a “moment in critical history that… is seen to be passing,” even a “form of cultural and literary criticism that no one practices today except the founders,” I believe that such characterizations overstate the case.. New historicism can be seen as a thin
deciduous
发表于 2025-3-27 16:11:23
Thomas Kittsteiner,Axel Ockenfelsnre in their own right. Obviously, the field has benefited a great deal from the cultural turn in literary study and from the thick descriptions that have accompanied this turn. But one of the things that get left out by thick description’s interest in literary contexts is the relationship between n
EXPEL
发表于 2025-3-27 20:36:27
Andrew Byde the playwright’s “extraordinary cultural stamina,” Michael Bristol goes on to observe, simply, that “Shakespeare has made the big time.”. For Marjorie Garber, Shakespeare’s cultural role is best described with the language not of the celebrity marketplace but of the analyst’s couch; Shakespeare has
Custodian
发表于 2025-3-28 00:36:40
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Fresco
发表于 2025-3-28 03:26:55
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组装
发表于 2025-3-28 07:32:07
Henner Gimpelples of the plays in modern performance shows how obvious it can be when interpretations are more governed by conservative positions on gender than by anything the text inherently demands. It also reveals a range of exciting ways in which such positions can be challenged, or a character seen with fr
厚脸皮
发表于 2025-3-28 11:20:30
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