你太谦虚 发表于 2025-3-21 16:58:47

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不透气 发表于 2025-3-21 21:53:05

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肉体 发表于 2025-3-22 00:54:06

Palgrave European Film and Media Studieshttp://image.papertrans.cn/n/image/661558.jpg

大门在汇总 发表于 2025-3-22 06:29:01

https://doi.org/10.1007/978-3-319-73667-9Nationalism; 21st century nationalism; Bush government; post 9/11; national cinema; nation branding; europ

流动性 发表于 2025-3-22 09:00:28

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指耕作 发表于 2025-3-22 13:56:45

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surmount 发表于 2025-3-22 17:57:54

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anaphylaxis 发表于 2025-3-22 23:04:07

Diasporic Belgian Cinema: Transnational and Transcultural Approaches to Molenbeek and Matonge in ,, backdrop of terrorism and Islamic fundamentalism has led to a synchronic interpretation of . as a potentially radical and subversive film. This chapter argues that . represents the futile hope of a multicultural understanding of Belgian nationalism, as it reinforces the separation between excluded groups.

conflate 发表于 2025-3-23 02:04:53

,“,”: Liquid National Identities in the Cinema of the Berlin School, Benjamin Heisenberg, Maren Ade and Ulrich Köhler. While the New Berlin School has no explicit manifesto, common characteristics bind them together into an auteur-centred, coherent movement that rejects mainstream clichés to find new notions of national self-image framed by present-day struggles with post-wall capitalist structure and ideology.

高兴一回 发表于 2025-3-23 06:00:21

,Resistance Against Itself: Austrian Cinema’s Responses to the Far-Right,tempts to raise political consciousness, shape historical awareness, and enact critique of the populist far-right, illustrating as well their sensitivities to the dynamics of representing the far-right and their shared concern for engagement with the political sphere.
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查看完整版本: Titlebook: Nationalism in Contemporary Western European Cinema; James Harvey Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Nationali