咯咯笑
发表于 2025-3-30 11:09:01
Trails of Ado: Kokuma’s Cultural Self-Defenceckie Guy called, Trails of Ado. The embodiment of this dance empowered the dancers who, through the creative process, gathered strategies for “cultural self-defense” by affirming pride, admiration, and respect for themselves and their ethnic heritage. Descriptions and perspectives are offered regard
一窝小鸟
发表于 2025-3-30 14:34:44
: An African Holistic Dance as a Vehicle for Personal Development from a Black British Perspectivecan and Caribbean traditional dance forms. She discusses how as a first generation Black British Jamaican she has been strongly influenced by a sense of rediscovery of the ancient wisdom, symbolism, spirituality and history of African and Caribbean cultures—all of which has shaped her embodiment of
颠簸下上
发表于 2025-3-30 17:47:40
‘Why I Am Not a Fan of the Lion King’: Ethically Informed Approaches to the Teaching and Learning ofates the ethical implications this has on her teaching of South African dance forms in a British university. She discusses implications on pedagogical practices in terms of supporting British dance students in finding meaningful understandings of South African dance styles. She introduces three ethi
暗语
发表于 2025-3-30 23:27:45
Performativity of Body Painting: Symbolic Ritual as Diasporic Identityhis black diasporic identity as an artist in Britain. Using his experience of moving from Angola to Britain as a refugee, he describes a range of ideas and concepts that inform his art practice today. He discusses the importance of body painting and ritual as creative and aesthetic forms of identity
安定
发表于 2025-3-31 02:18:42
Dancehall: A Continuity of Spiritual, Corporeal Practice in Jamaican Dance a phrase he uses to foreground the body’s engagement of history, dance, corporeality (fleshly physicality) and spirituality. The chapter explores reggae/dancehall’s . embodied within Jamaican . Patten presents dancehall discourses relating to dancehall’s role both as a historical phenomenon and a d