Engaged
发表于 2025-3-23 10:36:23
Coda,s was the case both during and after the Wars: many later songs of Napoleon were responding to a sentimental situation, not advancing a contemporary argument. This active yet reflective role, so typical of the traditions of popular song, was distinct from attempts to ‘interfere’ with popular culture, from James Plumptre to Thomas Spence.
逃避系列单词
发表于 2025-3-23 13:55:50
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Parley
发表于 2025-3-23 20:33:05
,‘Now Boney’s Awa”: Triumph, Tragedy, and the Legend Established, 1814–1822,bles for his neck’. Batchelar’s ‘Swaggering Boney’ proclaims that ‘He will never be easy till in death he’s fixt.’. With the coming of peace and Napoleon’s exile as the ruler of Elba, many felt cheated of blood. Certainly Britain’s foremost poets were not inclined to magnanimity. From one extreme, Shelley wrote:
Folklore
发表于 2025-3-24 00:11:31
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figment
发表于 2025-3-24 05:17:41
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violate
发表于 2025-3-24 06:32:57
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amyloid
发表于 2025-3-24 11:08:14
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V洗浴
发表于 2025-3-24 18:30:56
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啜泣
发表于 2025-3-24 20:33:48
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伦理学
发表于 2025-3-25 00:12:24
2634-6699 are made available to hear, and at their writers, singers, and audiences, it questions both our relationship with song, and ordinary Britons‘ relationship with Napoleon, the war, and the idea of Britain itself.978-1-137-55538-0Series ISSN 2634-6699 Series E-ISSN 2634-6702