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Textbook 2011..After a thorough introduction, the book offers a first practical part with a detailed tutorial for students in composition and improvisation, using musical instruments and music software. The second, theoretical part deals with historical, actual, and new principles of creative processes in music,peptic-ulcer 发表于 2025-3-22 01:34:18
1868-0305 eveloped by the third author, and the Escher theorem from mathematical gesture theory in music..This is both a textbook addressed to undergraduate and graduate students of music composition and improvisation, a978-3-662-50864-0978-3-642-24517-6Series ISSN 1868-0305 Series E-ISSN 1868-0313Enthralling 发表于 2025-3-22 08:22:13
Textbook 2011ition of Boulez’s "Structures pour deux pianos" using the Rubato software module BigBang developed by the third author, and the Escher theorem from mathematical gesture theory in music..This is both a textbook addressed to undergraduate and graduate students of music composition and improvisation, aEvacuate 发表于 2025-3-22 10:33:38
Computational Music Sciencehttp://image.papertrans.cn/n/image/641548.jpgfrugal 发表于 2025-3-22 14:53:43
https://doi.org/10.1007/978-3-642-24517-6composition; creativity; improvisation; mathematical music theory; music technology; semiotics; topos of m谆谆教诲 发表于 2025-3-22 18:22:33
Guerino Mazzola,Joomi Park,Florian ThalmannRepresents a new approach to musical creativity, dealing with software and the semiotics and mathematical principles of creativity processes.Supported throughout with musical score examples, and the a极微小 发表于 2025-3-22 22:22:47
978-3-662-50864-0Springer-Verlag Berlin Heidelberg 2011疲劳 发表于 2025-3-23 03:03:39
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