独裁者
发表于 2025-3-21 17:15:20
书目名称Music in Contemporary French Cinema影响因子(影响力)<br> http://impactfactor.cn/if/?ISSN=BK0641518<br><br> <br><br>书目名称Music in Contemporary French Cinema影响因子(影响力)学科排名<br> http://impactfactor.cn/ifr/?ISSN=BK0641518<br><br> <br><br>书目名称Music in Contemporary French Cinema网络公开度<br> http://impactfactor.cn/at/?ISSN=BK0641518<br><br> <br><br>书目名称Music in Contemporary French Cinema网络公开度学科排名<br> http://impactfactor.cn/atr/?ISSN=BK0641518<br><br> <br><br>书目名称Music in Contemporary French Cinema被引频次<br> http://impactfactor.cn/tc/?ISSN=BK0641518<br><br> <br><br>书目名称Music in Contemporary French Cinema被引频次学科排名<br> http://impactfactor.cn/tcr/?ISSN=BK0641518<br><br> <br><br>书目名称Music in Contemporary French Cinema年度引用<br> http://impactfactor.cn/ii/?ISSN=BK0641518<br><br> <br><br>书目名称Music in Contemporary French Cinema年度引用学科排名<br> http://impactfactor.cn/iir/?ISSN=BK0641518<br><br> <br><br>书目名称Music in Contemporary French Cinema读者反馈<br> http://impactfactor.cn/5y/?ISSN=BK0641518<br><br> <br><br>书目名称Music in Contemporary French Cinema读者反馈学科排名<br> http://impactfactor.cn/5yr/?ISSN=BK0641518<br><br> <br><br>
弓箭
发表于 2025-3-21 22:07:15
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施舍
发表于 2025-3-22 03:50:07
978-3-319-84885-3The Editor(s) (if applicable) and The Author(s) 2017
藕床生厌倦
发表于 2025-3-22 07:08:07
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单独
发表于 2025-3-22 08:59:04
ervention of music at critical moments as a “crystal-song”. Applying Roland Barthes’s concept of the “punctum” and Gille Deleuze’s concept of the “crystal-image,” Powrie establishes the importance of the crystal-song, which reconfigures time as a crystallization of past, present and future..978-3-319-84885-3978-3-319-52362-0
Nonthreatening
发表于 2025-3-22 15:49:00
Book 2017Applying Roland Barthes’s concept of the “punctum” and Gille Deleuze’s concept of the “crystal-image,” Powrie establishes the importance of the crystal-song, which reconfigures time as a crystallization of past, present and future..
Occipital-Lobe
发表于 2025-3-22 20:35:01
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笼子
发表于 2025-3-23 00:43:26
community and interrelationships between music and gender, sThis book explores composed scores and pre-existing music in French cinema from 1985 to 2015 so as to identify critical musical moments. It shows how heritage films construct space through music, generating what Powrie calls “third space mu
暗语
发表于 2025-3-23 02:04:46
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亵渎
发表于 2025-3-23 06:15:11
10楼