监管
发表于 2025-3-21 17:55:11
书目名称Mobile Agents影响因子(影响力)<br> http://impactfactor.cn/if/?ISSN=BK0635289<br><br> <br><br>书目名称Mobile Agents影响因子(影响力)学科排名<br> http://impactfactor.cn/ifr/?ISSN=BK0635289<br><br> <br><br>书目名称Mobile Agents网络公开度<br> http://impactfactor.cn/at/?ISSN=BK0635289<br><br> <br><br>书目名称Mobile Agents网络公开度学科排名<br> http://impactfactor.cn/atr/?ISSN=BK0635289<br><br> <br><br>书目名称Mobile Agents被引频次<br> http://impactfactor.cn/tc/?ISSN=BK0635289<br><br> <br><br>书目名称Mobile Agents被引频次学科排名<br> http://impactfactor.cn/tcr/?ISSN=BK0635289<br><br> <br><br>书目名称Mobile Agents年度引用<br> http://impactfactor.cn/ii/?ISSN=BK0635289<br><br> <br><br>书目名称Mobile Agents年度引用学科排名<br> http://impactfactor.cn/iir/?ISSN=BK0635289<br><br> <br><br>书目名称Mobile Agents读者反馈<br> http://impactfactor.cn/5y/?ISSN=BK0635289<br><br> <br><br>书目名称Mobile Agents读者反馈学科排名<br> http://impactfactor.cn/5yr/?ISSN=BK0635289<br><br> <br><br>
激怒
发表于 2025-3-21 21:10:35
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礼节
发表于 2025-3-22 01:42:32
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细胞
发表于 2025-3-22 05:10:19
978-3-540-64959-5Springer-Verlag Berlin Heidelberg 1998
otic-capsule
发表于 2025-3-22 11:32:51
Mobile Agents978-3-540-49817-9Series ISSN 0302-9743 Series E-ISSN 1611-3349
Androgen
发表于 2025-3-22 15:59:14
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appall
发表于 2025-3-22 17:12:22
0302-9743Stuttgart, Germany, in September 1998..The 21 revised full papers presented were carefully selected from a total of 45 submissions; also included are three invited contributions. The book is divided in topical sections on mechanisms for mobile agent systems, mobile agent architechtures, application
做事过头
发表于 2025-3-22 22:03:53
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defray
发表于 2025-3-23 04:20:51
0302-9743three invited contributions. The book is divided in topical sections on mechanisms for mobile agent systems, mobile agent architechtures, applications, mobile agent systems, security, and communication.978-3-540-64959-5978-3-540-49817-9Series ISSN 0302-9743 Series E-ISSN 1611-3349
Morbid
发表于 2025-3-23 05:50:20
https://doi.org/10.1007/978-1-4612-2936-0y was deeply informed and supported by Moral Re-Armament (MRA) and its values. This chapter looks at the forces that explain this extraordinary production history, investigating both the London performance and the subsequent tour. The thrust of my argument is that, despite being, in a sense, ‘by Afr