emanate
发表于 2025-3-21 19:07:09
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inhumane
发表于 2025-3-22 00:14:43
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headlong
发表于 2025-3-22 04:10:47
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linguistics
发表于 2025-3-22 08:29:25
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投射
发表于 2025-3-22 10:26:30
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难理解
发表于 2025-3-22 13:20:25
ent during the COVID-19 pandemic when the cancellation of music festivals removed a large seasonal component of musicians’ annual income. We argue that the insights explored through this genre-specific example will offer general lessons for the UK music industries as they look towards a post-pandemi
hysterectomy
发表于 2025-3-22 21:01:06
rviews with key actors in the live music sector (e.g. club owners, politicians, live music associations). Our findings indicate that music venues are confronted with an existential crisis that exceeds their economic pressures, including facing the loss of informal support networks within the sector
ellagic-acid
发表于 2025-3-22 23:30:09
ow their work was being treated vis-à-vis self-employed income support and fears about their futures and (2) status-based existential anxiety relating to a loss of meaning in their lives. This duality has been encapsulated as losing work and losing purpose (Littlewood, . 2020). The chapter concludes
Host142
发表于 2025-3-23 04:08:08
ost of other movements. Slowly, the “best of all possible worlds” of the 1950s began to seem like a straitjacket, as apparently separate sources of frustration, alienation, and nonconformity converged. Inspired by the stubbornness and daring of African Americans, all the excluded or belittled outsid
Daily-Value
发表于 2025-3-23 09:36:40
rtrayed in the popular culture of the 1930s and 1940s—the ideal woman was now either a maternal housewife or an exaggerated, voluptuous “sex bomb” like Marilyn Monroe. Left out of the housewife-and-mother ideal were the millions of women too poor or too independent to fit in.