EWE
发表于 2025-3-28 15:13:20
A. A. Shmat’ko,V. N. Mizernik,E. N. Odarenko,A. S. Krivets,O. V. Yushchenkoarticipation components of the women, peace and security framework. The matrilineal community structures,. as well as women’s roles in negotiating peace in Bougainville,. reveal the complexity and variation of gender norms that require attention in strategies to enhance women’s participation in conf
小虫
发表于 2025-3-28 18:46:00
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过分
发表于 2025-3-29 01:36:26
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Medley
发表于 2025-3-29 04:22:29
Nikita Kurnosov,Victor Karachevtsevepers have done much to contribute to peace and security in many conflict-affected states. These peacekeeping operations are increasingly multidimensional, requiring UN military contingents to engage in activities that necessitate interaction with and close proximity to civilian populations of UN mi
津贴
发表于 2025-3-29 09:46:33
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省略
发表于 2025-3-29 14:17:35
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Yourself
发表于 2025-3-29 16:49:57
Ie. Konoplianchenko,V. Tarelnyk,V. Martsynkovskyy,A. Belous,V. Gerasimenko,G. Smolyarov,A. Tolbatov,f Brazilian Modernism, officially launched with the Modern Art Week of São Paulo in February 1922. According to Benita Parry’s characterisation of postcolonial peripheral modernisms, the extent and intensity of the asymmetries between modernism and modernity in those contexts engenders cultural prod
regale
发表于 2025-3-29 20:55:54
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钩针织物
发表于 2025-3-30 03:21:11
Ye. Titkov,Olena Berdnikova,Yu. Tyurin,O. Kolisnichenko,Ye. Polovetskiy,O. Kushnaryovabecome one of the capitals of modernist literature), as connoted by a position of economic and industrial peripherality. The chapter appraises the fancy, hypermodern fantasy of Bloom’s “Flowerville”, a Dublin utopian residential suburb embedded in the seventeenth episode of ., as a parodic represent
连接
发表于 2025-3-30 06:46:57
Alexander Zykov,Stanislav Dudin,Stanislav Yakovin,Nina Yefymenko,Artem Shchibrya,Alexander Dahovr is it a question of relevance, impact, and world circulation? As early as 1960, Harry Levin’s famous question (‘What Was Modernism?’) ended up identifying, from the point of view of comparative literature and the other arts, what in retrospect, and in view of the current terminology, cannot but be