友好 发表于 2025-3-25 06:02:13
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Stefanie Gerlach,Inga Squarrcourse.Acts as a guide for those working with or on populariThis open access book focuses on the textual features, or ‘strategies’, which form popularization discourse. In popularization discourse, research findings from academia are re-presented to make them noteworthy to society and influential foOTTER 发表于 2025-3-25 17:28:27
Stefanie Gerlach,Inga Squarrcourse.Acts as a guide for those working with or on populariThis open access book focuses on the textual features, or ‘strategies’, which form popularization discourse. In popularization discourse, research findings from academia are re-presented to make them noteworthy to society and influential fo尽管 发表于 2025-3-25 21:56:39
Stefanie Gerlach,Inga Squarrlished 1969) in the Autumn of 1967. According to Jonathan Coe’s deservedly award-winning biography, . (2004), Johnson actually did much of the work during his two-month spell in Paris over the turn of 1967 into 1968 (246). As such it falls into the period between the writing of . and . (1971) and caMyofibrils 发表于 2025-3-26 01:15:55
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Stefanie Gerlach,Inga Squarrnts a combination of different kinds of information conveyed in different ways in its different sections. The first section consists of critical readings of all the novels, employing fairly traditional kinds of analysis and concentrating on plot summaries. Where the analysis goes beyond this modestPACK 发表于 2025-3-26 08:51:07
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Stefanie Gerlach,Inga Squarrin . (‘Then they had moved’: 5). Johnson is recalling his friend Tony Tillinghast, encountering the feeling of his loss, the sudden irruption of memories of his early death, triggered during a journey to Nottingham to report on a football match. ‘I fail to remember, the mind has fuses’, he writes, icritic 发表于 2025-3-26 20:08:15
Provides a multi-disciplinary approach and contributors inclSpare Rib remains one of the most iconic symbols of Second Wave Feminism, its influence far out-living the span of its publication (1972-1993). This collection examines various aspects of the magazine - based on the digitised publication b