悦耳
发表于 2025-3-23 13:00:23
The Reality of Doing as a signifier to a signified. As theatre semiotician Keir Elam writes: “What converts objects, people and action into signs on stage … is the removal of the performance from praxis. This may seem self-evident and commonplace, but upon this simple act of severance rests the whole power of theatrical semiosis, indeed its very existence.”
不知疲倦
发表于 2025-3-23 17:19:56
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胆大
发表于 2025-3-23 18:27:27
Mining My Own Business forehead and two curved lines around her mouth that seemed to put her sensuous lips in parentheses, who held some sort of salon twice a week in which actors were forced to do all sorts of strange, irrelevant things in pursuit of depth in their stage work. That’s all I know.
separate
发表于 2025-3-24 00:45:56
The Method and the Computational Theory of Mind of actors, acting teachers, theorists, and even the master teachers themselves. They have been challenged by the rise of postmodern theories; mistrust of Freudian views of psychology and humanist-modernist views of identity; critiques of realism, representation, and mimesis; and the impact of performance modes resistant to psychological realism.
最后一个
发表于 2025-3-24 05:21:44
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custody
发表于 2025-3-24 07:02:30
together some of the most well-known theater scholars and acting teachers to look at the Method. By concentrating on three areas of the Method - its theory, practice, and future application - the collection will serve to inform and teach us how to approach acting and acting theory in the 21st century.978-0-312-22309-0978-1-349-62271-9
量被毁坏
发表于 2025-3-24 10:46:56
978-0-312-22309-0Palgrave Macmillan, a division of Nature America Inc. 2000
BACLE
发表于 2025-3-24 17:51:49
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Scintigraphy
发表于 2025-3-24 19:53:41
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细菌等
发表于 2025-3-25 02:08:18
https://doi.org/10.1007/978-1-349-62271-9Jacques Derrida; realism; stage; theatre; Tradition