Crohns-disease 发表于 2025-3-23 10:57:49

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巧思 发表于 2025-3-23 17:52:37

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Mediocre 发表于 2025-3-23 20:39:14

Introduction,ed of getting ‘too’ emotional? Sociology courses up and down the United Kingdom are (quantitatively) skewed toward young women, the entirety of whom put their hands up alongside a handful of their male peers. When I followed this up with: ‘and who has ever had this linked to their hormones?’ the sea

伪造 发表于 2025-3-23 22:35:38

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不确定 发表于 2025-3-24 04:53:56

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EXULT 发表于 2025-3-24 10:34:43

Masculinity, Music and the Mass Market,ocieties. Central to mass music’s success as a commodity, has been the perception of music’s use as a ‘tool’ for individual emotional expression. As noted in the previous chapter it is arguably ‘the cultural material par excellence of emotion’ (DeNora 2000: 46). Because the music industries and musi

传染 发表于 2025-3-24 12:21:36

Music Listening, Emotions, Age and Context,x relationship to male bodies. Music’s capacity to affect emotions and passions has historically been, and still is, discursively characterised as problematic in terms of men’s bodies and experiences. Yet using and engaging with music precisely due to a belief in its ability to do these things, has

最高点 发表于 2025-3-24 17:14:49

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CHARM 发表于 2025-3-24 22:44:43

Affect, Embodiment and Masculinity,. Crucially, this means that a broader view of what exactly emotions are is entirely congruent with cultural constructs of ‘masculinity’, understood as a collection of competing discourses rather than a suppression of seemingly inherent physiological states. However in talking about emotions and mal

Diastole 发表于 2025-3-25 02:55:20

Conclusion: Rethinking Men, Masculinity, Music and Emotions,rmed by cognitive psychology and neuroscience (Fine 2010; Petersen 2004; Reddy 2001). The development of a psychological understanding of emotions, through a Cartesian reading of the passions, has tended to emphasise that they are rooted within subjective, individual feelings. This has shaped academ
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查看完整版本: Titlebook: Men, Masculinity, Music and Emotions; Sam Boise Book 2015 The Editor(s) (if applicable) and The Author(s) 2015 Masculinity.music.gender an