CLASH
发表于 2025-3-23 09:45:29
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coalition
发表于 2025-3-23 17:52:21
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BRAVE
发表于 2025-3-23 19:09:10
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泰然自若
发表于 2025-3-24 01:43:41
Langland: ,, Recollection, Confession, and the Penitent,the process of memory within literary representations of confession, positive and negative types of forgetfulness, and the reinvention of identity through remembering the past. Langland presents allegorized personifications of the Deadly Sins who narrate their misdeeds to Repentance and seek to miti
散布
发表于 2025-3-24 05:37:53
Gower: , and the Fear of Forgetting,ection of sins is no longer necessary—frame the narrative of the fictitious confession. Amans, the penitent, is concerned that he will be unable to remember his sins and, thus, be prevented from confessing properly. Genius, his confessor, answers Amans’ concern by exploring both Amans’ memory of for
CODE
发表于 2025-3-24 06:35:23
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Myofibrils
发表于 2025-3-24 10:56:26
Gawain-Poet: ,, to Forget or not to Forget,endable conduct, a difference between transgressions against honor and faith. By choosing, in the face of mortal danger and the lack of the memorial symbol of the image of Mary, to accept the girdle and renege on his promise to his host, Gawain is a similar figure to others in the so-called penitent
果仁
发表于 2025-3-24 16:26:51
Final Thoughts,each work, allowing us to consider potential readings of authorial representations of identity and character motivation. By defining memory in these works, we gain a more nuanced understanding of the process of recollection as a means of initiating transformation, a characteristic it acquires within
Ondines-curse
发表于 2025-3-24 21:51:53
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散布
发表于 2025-3-25 02:54:45
Introduction,f memory in this literary context allows deeper insight into narrative construction and character motivation as well as the practice of confession itself. It identified a way of looking at texts that can improve or complicate our understanding of narratives as a whole or specific passages, characters, and themes.