amnesia
发表于 2025-3-27 01:01:21
Louise Noblede schools and across theory, practice, poetry, art, technology and politics. .Peter Pericles Trifonas, Ontario Institute for Studies in Education/University of Toronto. Author of Reading Culture and Deconstructing the Machine (with Jacques Derrida).This trenchant collection of essays successfully i
阻塞
发表于 2025-3-27 01:44:27
Louise Noblelytics with.poetics to expand the meaning of education..This book represents an essential resource exploring semiotics for education: Edusemiotics. It opens new pathways of engaging with signs inside/outside schools and across theory, practice, poetry, art, technology and politics. .Peter Pericles T
Synchronism
发表于 2025-3-27 07:53:43
http://reply.papertrans.cn/63/6295/629429/629429_33.png
独白
发表于 2025-3-27 11:01:01
http://reply.papertrans.cn/63/6295/629429/629429_34.png
epinephrine
发表于 2025-3-27 15:58:36
http://reply.papertrans.cn/63/6295/629429/629429_35.png
很像弓]
发表于 2025-3-27 20:34:33
http://reply.papertrans.cn/63/6295/629429/629429_36.png
遍及
发表于 2025-3-28 01:54:49
Flesh Economies in Foreign Worlds: , and ,metaphors of cannibalism that tap into a complex set of cultural meanings. As I.M. Lewis argues, “The ideology of man-eating provides a pregnant cluster of imagery and metaphor to express the exercise and experience of power, domination and subjection which may be realized in different forms in part
潜伏期
发表于 2025-3-28 04:26:34
Divine Matter and the Cannibal Dilemma: , and ,,tion of Luther’s corpse, the eating of his flesh, and the drinking of his blood, brings together early modern corpse pharmacology and the Reformation debate about the true nature of the Eucharist in a tableau of cannibalism. Such an evocative representation of corporeal associations raises the quest
上下连贯
发表于 2025-3-28 09:29:30
The , as Pharmakon: , and the ,otection from disease. To this end, the mummy of the . was identified as the most therapeutically valuable form of mummy. Subscribing to a gendered cultural and medical ideology, in the epigraph quoted above the traveler Pietro Della Valle (1586–1652) unequivocally states: “The best comes fr