外形
发表于 2025-3-26 21:29:30
‘Craft Against Vice’: A Conclusion in Which Little is Concludedy have been set in confined spaces — private chambers, a moated grange, a prison, a nunnery — the action has now been opened out physically at the same time as men’s private behaviour is being publically revealed. The previously retiring Duke will conclude his examination of the workings of justice
庇护
发表于 2025-3-27 01:15:01
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试验
发表于 2025-3-27 07:27:56
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dragon
发表于 2025-3-27 09:38:58
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Clumsy
发表于 2025-3-27 16:42:06
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6Applepolish
发表于 2025-3-27 20:05:48
What the Characters Said: The Charles Marowitz Versiontz elements of collage Shakespeare, a text created out of lines, dialogues and scenes from the original text, freely distributed amongst other characters or perversely delivered by the original character to make ironical or interpretative comments on Shakespeare’s play. But this sort of metamorphosi
放弃
发表于 2025-3-27 22:45:01
What the Productions Looked Like: The Designers’ Viewy seventeenth century. In 1975 there were two productions which picked up the suggestive notion of setting a play involving sexual repression in Vienna. Robin Phillips at Stratford, Ontario, placed it before the First World War in the city of Mahler and Arthur Schnitzler; Jonathan Miller at the Gree
Ornithologist
发表于 2025-3-28 05:38:30
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Infraction
发表于 2025-3-28 09:51:39
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CT-angiography
发表于 2025-3-28 12:19:33
Men Not Gods: The Dukesd through a period when the Duke was the principal villain in a dark, bitter view of the play — most notably in Richard Mayes’s unctuous performance for Marowitz — he ended the decade with a weight of psychological motives to explain his eccentric behaviour. Not all actors have taken this intense vi