偶像 发表于 2025-3-25 04:05:53
http://reply.papertrans.cn/63/6269/626807/626807_21.png同义联想法 发表于 2025-3-25 11:08:44
http://reply.papertrans.cn/63/6269/626807/626807_22.pngharpsichord 发表于 2025-3-25 14:08:21
Maximal Translational Equivalence Classes of Musical Patterns in Point-Set Representationsorrespond to . (MTPs) . However, an MTP is also often the union of a salient pattern with one or two temporally isolated notes. This has been called the . . Examining the MTPs in musical works suggests that salient patterns may correspond more often to the . of MTPs than to the MTPs themselvesstrain 发表于 2025-3-25 18:50:14
Incorporating Voice Permutations into the Theory of Neo-Riemannian Groups and Lewinian Duality parsimonious voice leading. We incorporate permutations into ./.–. duality to resolve this issue and simultaneously broaden the applicability of this duality. More precisely, we construct the dual group to the permutation group acting on .-tuples with distinct entries, and prove that the dual group粗鲁性质 发表于 2025-3-25 23:40:44
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Hypergesture Homology for Performance Stemmata with Lie Operators. It is formally described by a tree-shaped diagram, the performance stemma, starting at the primary “mother” performance that ramifies to a series of “daughter” performances. This propagation mechanism is induced by a series of performance operators stemming from the composition’s music analysis. I招致 发表于 2025-3-26 05:47:33
Glarean’s Dodecachordon Revisitedspecial Sturmian morphisms . with linear maps .(.) on a vector space of lattice paths. According to the adjoint linear map .(.). is closely related to the linear map .(..), where . and .. are mutually related under Sturmian involution. The comparison of these maps is music-theoretically interest毗邻 发表于 2025-3-26 12:16:35
http://reply.papertrans.cn/63/6269/626807/626807_28.pngIntrepid 发表于 2025-3-26 13:17:02
http://reply.papertrans.cn/63/6269/626807/626807_29.pngFIG 发表于 2025-3-26 20:43:59
Using Formal Concept Analysisto Represent Chroma Systems. It focuses on the music-theoretical notion of the Tone System and its equivalent classes obtained either via an action of a given finite group on the collection of subsets of it or via an identification of Forte’s corresponding interval vector and Lewin’s interval function. The use of concept latt