古老
发表于 2025-3-26 21:11:22
http://reply.papertrans.cn/63/6269/626804/626804_31.png
忘川河
发表于 2025-3-27 04:03:30
http://reply.papertrans.cn/63/6269/626804/626804_32.png
挑剔小责
发表于 2025-3-27 08:59:42
Building Topological Spaces for Musical Objectsvel classifications and provides new computational tools. In this paper, we show how a topological representation for .-note chords associated with the degrees of the diatonic scale and for the All-Interval Series (AIS) can be automatically built using ., a rule-based spatial programming language. T
Endearing
发表于 2025-3-27 12:26:29
A Model for Collective Free Improvisationsome interesting mechanisms of CFI. We use two variables: the . and the .. Both variables are used to describe the production and organization of the improvisers’ signals. Using a system of Landau equations, we propose a non-linear dynamics for the intention evolving on a short time-scale while the
分贝
发表于 2025-3-27 16:12:03
http://reply.papertrans.cn/63/6269/626804/626804_35.png
Femish
发表于 2025-3-27 18:15:48
http://reply.papertrans.cn/63/6269/626804/626804_36.png
减少
发表于 2025-3-27 22:05:46
http://reply.papertrans.cn/63/6269/626804/626804_37.png
发出眩目光芒
发表于 2025-3-28 02:07:59
Spelled Heptachordsmetries of spc space are transposition and inversion along the line of fifths. Because of the inextricable link between pitch spelling and diatonic scales, ..—seven-note spc sets that include each letter name exactly once—occupy a privileged position in this theory. Spelled heptachords may be regard
OATH
发表于 2025-3-28 06:41:05
Fundamental Passacaglia: Harmonic Functions and the Modes of the Musical Tetractysby a dialectical interpretation—and redeploy them within an alternative theoretical framework: the combinatorics of the modes of the musical ., enriched by musical-theoretical interpretations of selected mathematical facts. Section 1 introduces tonal perspectives of the analysis of the fundamental b
invert
发表于 2025-3-28 13:29:56
http://reply.papertrans.cn/63/6269/626804/626804_40.png