大小 发表于 2025-3-21 19:39:44

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affect 发表于 2025-3-21 21:46:05

,New Beginnings (9 months),ures beyond ourselves. We conclude that performance and the maternal are allied as durational, embodied, relational practices and that the overarching drive of maternal performance is to be . and to take us beyond endings to a cycle of constant beginning anew.

corporate 发表于 2025-3-22 03:24:00

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铁砧 发表于 2025-3-22 07:34:07

,Loss (2 Months), independence, and those that we are close to will one day die. And yet, within the traumatic experience of grief, we may find resolution through maternal performance, which allows us to understand our interdependence. Artworks examined in this chapter include Fern Smith and Patrick Fitzgerald’s . (2003) and Elina Brotherus’ . (2009–2013).

沉思的鱼 发表于 2025-3-22 11:08:33

Aftermath (5 Months),3) and . (2018) by Megan Wynne through the lens of jouissance as first proposed by Jacques Lacan (2001 ) and developed by feminist scholars including Julia Kristeva (1981b) and Luce Irigaray (1981). We propose that maternal performance can allow us to come to know something of maternal jouissance.

vitrectomy 发表于 2025-3-22 14:09:01

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幸福愉悦感 发表于 2025-3-22 17:29:42

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circuit 发表于 2025-3-23 01:00:43

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Dungeon 发表于 2025-3-23 02:21:19

Beginnings (1 Month),d domestic into the public and political spheres and render maternal action worthy of consideration. Key concepts from performance studies, feminism, and maternal studies are introduced and maternal methodologies are explored.

鞭子 发表于 2025-3-23 06:35:27

Generations (7 Months),stage in the work of Peggy Shaw with her grandson titled . (2003) and Hannah Buckley and her grandmother in . (2015). A model of intergenerational reciprocity is offered by Courtney Kessel’s series of performances . (2012) and . (2017) with her daughter.
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查看完整版本: Titlebook: Maternal Performance; Feminist Relations Lena Šimić,Emily Underwood-Lee Book 2021 The Editor(s) (if applicable) and The Author(s), under ex