Maculate 发表于 2025-3-21 18:09:40

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Tremor 发表于 2025-3-21 21:57:09

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Adulate 发表于 2025-3-22 01:43:22

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PAC 发表于 2025-3-22 06:45:22

Men of the North,yed out a zone of conflict, the theoretical nodes of masculine analysis that this book has discussed in previous chapters must be cast in different hues. What this chapter interrogates, then, are the ways in which dramas about the Northern Irish conflict and the Peace Process have engendered perform

贵族 发表于 2025-3-22 10:39:29

Masculinity Without Men,to trace the influences and affects of the many aspects of masculinity, in particular hetero-patriarchy, on female protagonists’ lives. In some plays this presence-through-absence of masculinity is attributable to individual yet absent men, in other cases it is transposed onto women who subscribe, o

SUE 发表于 2025-3-22 14:41:37

Acting Queer,assimilation into heteronormative paradigms, both in theatrical form and how queer men’s lives and living are represented. Queer theatre companies and performers are employing new, exciting, and decidedly transgressive dramaturgical strategies—which are identified as ‘queer dramaturgy’—in order to c

宿醉 发表于 2025-3-22 19:53:24

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CHOKE 发表于 2025-3-23 00:19:32

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glowing 发表于 2025-3-23 05:10:14

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Blood-Vessels 发表于 2025-3-23 09:25:11

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查看完整版本: Titlebook: Masculinities and Manhood in Contemporary Irish Drama; Acting the Man Cormac O‘Brien Book 2021 The Editor(s) (if applicable) and The Author