CONE
发表于 2025-3-23 11:04:54
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最低点
发表于 2025-3-23 15:24:56
Theatrical References,) is provided. Second, three different 18.-century attempts to fuse both genres are tackled: Gluck’s operatic reform, Mozart’s . and the German melodrama (Sect. .). Finally, some salient comic (Sect. .) and tragic references (Sect. .) are described and exemplified.
HERTZ
发表于 2025-3-23 18:05:40
Sacred References,, secular and liturgic, have been in history is shown in Sect. . in the uncountable exchanges between them. As for vocal worldly topoi, ‘Lyric’ and Pastoral references are dealt with in Chap. ., translations from music theatre to instrumental genres in Chap. ..
不出名
发表于 2025-3-24 00:27:59
2510-442X nd insights that are relevant for listening to, performing a.This book is a unique attempt to systematize the latest research on all that music connotes. Musicological reflections on musically expressive content have been pursued for some decades now, in spite of the formalist prejudices that can st
infinite
发表于 2025-3-24 04:41:51
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卵石
发表于 2025-3-24 07:13:24
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hardheaded
发表于 2025-3-24 11:02:29
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indicate
发表于 2025-3-24 15:12:34
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洁净
发表于 2025-3-24 22:01:31
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Limerick
发表于 2025-3-25 00:47:39
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