Ige326
发表于 2025-3-25 03:57:03
Introduction,ght to be a book, of the laws and customs ., presented to all young people upon their first introduction into public company.’. Whereas there were no such etiquette books to grace Evelina’s shelf in the late eighteenth century, there were plenty enough to fill those of William Thackeray’s Becky Shar
amorphous
发表于 2025-3-25 11:08:33
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semble
发表于 2025-3-25 14:58:46
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烦扰
发表于 2025-3-25 16:24:08
Conduct as Antidote to Influence, plain truths and a clear notion of right and wrong. This longing intensified in the late eighteenth century as the anonymity, deception and restless craving for change characterising such increasingly powerful influences as print, cities and fashion sapped Evangelicals’ sense of both moral and soci
LATE
发表于 2025-3-25 20:02:42
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Asparagus
发表于 2025-3-26 01:25:59
Reconciliation and Resolution: Etiquette, Ethics and Professionalisation,mbodiment of middle-class ideals. For it reveals that the middle-class conduct book gradually gave way, after the 1830s, to the etiquette book which codified aristocratic behavioural ideals. In contrast to Wiener, however, this study has argued that aristocratic ideals were not anachronistic hangove
假装是我
发表于 2025-3-26 06:12:56
Conclusion,tant implications for that controversial issue. Some scholars, particularly Wiener, have focused on ideals to explain England’s decline, attributing it to a lingering reverence for anti-industrial, aristocratic values. In their view, the middle-class commercial and entrepreneurial spirit on display
彻底明白
发表于 2025-3-26 09:41:40
its effects can be felt without the mind being consciously aware that it is actively construing the pitch relations that define tonality; and pervasive because it underpins most of the music that we hear. Its effects can be quickly demonstrated by the ability of the listener to sense when a piece h
肌肉
发表于 2025-3-26 15:29:35
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Offbeat
发表于 2025-3-26 18:02:39
Marjorie Morgangeometric model for tonality.Author is known worldwide and u.From the Preface:.Blending ideas from operations research, music psychology, music theory, and cognitive science, this book aims to tell a coherent story of how tonality pervades our experience, and hence our models, of music..The story is