富饶
发表于 2025-3-25 06:27:37
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无所不知
发表于 2025-3-25 10:32:59
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社团
发表于 2025-3-25 13:54:12
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Commodious
发表于 2025-3-25 17:39:13
Marie Henriette Madsenicent — but the middle part is out of all keeping; and the ludicrous is therein not only too far prolonged, but too broadly drawn, and deeply coloured. The drama, too, comprehends a period of twenty-four years, and the actions and events are too few, and not sufficiently varied. Neither does Faustus
Obvious
发表于 2025-3-25 20:22:26
Amit Nigam,Esther Sackett,Brian Goldena detailed examination of the biographical character of either Marlowe or Shakespeare. Nor is it another futile attempt to show that Marlowe single-handedly actually wrote some of Shakespeare’s plays. Nor will it focus solely on the working and playing conditions of the early modern theatrical scene
强壮
发表于 2025-3-26 03:02:16
a detailed examination of the biographical character of either Marlowe or Shakespeare. Nor is it another futile attempt to show that Marlowe single-handedly actually wrote some of Shakespeare’s plays. Nor will it focus solely on the working and playing conditions of the early modern theatrical scene
HALL
发表于 2025-3-26 05:42:33
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亚麻制品
发表于 2025-3-26 09:38:12
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Incise
发表于 2025-3-26 12:48:10
Charlotte Crofthakespeare’s protagonists fairly straightforwardly as heroes: tragic heroes like Macbeth, Hamlet and Othello; comic or romantic heroes like Benedict (.) and Petruchio (.). Marlowe’s protagonists wear the label much less comfortably. As the ‘first impressions’ discussed in the previous chapter should
不自然
发表于 2025-3-26 17:36:19
ical category of tragedy. The full titles of the texts are unambiguous: . is a good example. . is ., and the publisher Richard Jones gave . the title of . when he printed the play (although it is interesting to note that the Stationers’ Register lists them as ‘The two comical discourses of Tomberein