惊呼
发表于 2025-3-23 11:36:22
The Birth of Comedy Italian Style,nal. Pink neorealism epitomized this as it reintroduced the classical plot based on romance and generational clash, whereas the conflict between individual desires and social duties finds a conservative resolution. The comedies directed by Monicelli (but also Fellini) are characterized by a juxtapos
cognizant
发表于 2025-3-23 14:42:23
Humor Italian Style,rrative that dominated the Italian box office until the late 1950s. In opposition to the working-class ethic of neorealist comedy, comedy Italian style narrates the advent of a consumerist lifestyle in the urban middle class after the postwar collapse of the national symbolic edifice. In this view,
Minuet
发表于 2025-3-23 18:32:38
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Ballerina
发表于 2025-3-23 23:49:02
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装入胶囊
发表于 2025-3-24 04:44:42
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无可争辩
发表于 2025-3-24 07:46:56
2635-2931narrating the identity crisis of many Italian men. Exploring the birth, growth, and decline of this genre, Bini shows this notable style was the search for a new role in the shattered postwar middle class.978-1-137-51584-1Series ISSN 2635-2931 Series E-ISSN 2635-294X
FLACK
发表于 2025-3-24 12:05:24
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阻塞
发表于 2025-3-24 17:27:48
The Narrative Pattern of Italian Film Comedy,urvived every crisis in the movie industry but also became increasingly important, and it is now the only popular form of Italian film (all the other genres disappeared or moved to television). This can be explained by the Italians’ well-known passion for comedy. Long before the birth of film, comed
无法解释
发表于 2025-3-24 21:24:07
The Birth of Comedy Italian Style,t—whence Monicelli’s penchant for picaresque stories that will become one of his trademarks; ., on the other hand, is characterized by negative middle-class characters struggling to conform. Hence despite its pessimism, . remains within the genre expectations of postwar neorealist comedy (positive d
平息
发表于 2025-3-25 00:27:20
Humor Italian Style,he decline of patriarchal authority and the birth of the democratic “society of brothers,” the actual “boom,” before being a real event, was a revolution in the Italian social imaginary that posited individual desire as the only source of symbolic gratification. Hence the country could find itself h