完全
发表于 2025-3-23 13:09:43
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剥皮
发表于 2025-3-23 14:29:42
Michael J. Blouinge the sequence of their names recounted to Ruth.And so she did. But once more Ruth only invited Joanne for her birthday party. The whole process was repeated several times, still with Joanne being the only person chosen from t978-94-6209-131-3
欢乐东方
发表于 2025-3-23 18:53:51
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Additive
发表于 2025-3-24 00:15:32
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外表读作
发表于 2025-3-24 06:26:19
Book 2016ical thinking actually fuels the crises. .Magical Thinking, Fantastic Film, and the Illusions of Neoliberalism. explores the ways in which the visual economies of Hollywood fantasy compliment this particular political economy..
窃喜
发表于 2025-3-24 09:19:19
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爱哭
发表于 2025-3-24 14:36:57
American Horror, Global Commons, and ,,table elements to expose itself deliberately, in Fredric Jameson’s terms, as a tired formula.. By so doing, the film laments the confines of neoliberalism while evoking a weekend with different risks and rewards.
Talkative
发表于 2025-3-24 15:34:49
Book 2016le Burt Wonderstone., cultivate neoliberal subjectivities. These films promise dramatic change, but they too often deliver more of the same. Although proponents maintain the illusion that the militant enforcement of freemarket economics will resolve racism, climate change, and imperialism, their mag
Pessary
发表于 2025-3-24 21:38:36
l resolve racism, climate change, and imperialism, their magical thinking actually fuels the crises. .Magical Thinking, Fantastic Film, and the Illusions of Neoliberalism. explores the ways in which the visual economies of Hollywood fantasy compliment this particular political economy..978-1-349-95899-3978-1-137-53164-3
florid
发表于 2025-3-24 23:20:46
Biopolitics and Movies About Magic,ser. This second group of films heightens the spectator’s awareness of their role in biopolitical production. In their examinations of the relationship between magicians and audience members, these films illustrate a revelatory shift in neoliberal thought: from spectacle as an external method of control to spectacle as an embodied process.