paradigm
发表于 2025-3-26 22:39:25
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florid
发表于 2025-3-27 05:04:44
Stefan E. Pambuccian,Ricardo H. Bardalestiary mode — the home of dark epiphany -has to go, and plot — the plot of History — must take its place. It was not really possible in the 1840s to write a historical romance that had a ‘national’ character, without responding to the work of Scott.. To emulate Scott, you had to find a way of doing t
危机
发表于 2025-3-27 07:56:18
Stefan E. Pambuccian,Ricardo H. Bardalesto write a Dickens novel, but enhanced by the brighter lights I would have taken from these times and the darker ones that I would have found within myself.. The link between Dickens and Kafka may not seem obvious, but it has been suitably traced in German studies, not yet, however, in terms of the
FLAG
发表于 2025-3-27 10:18:31
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LAIR
发表于 2025-3-27 16:59:46
Stefan E. Pambuccian,Ricardo H. Bardaleseither in the poem nor in its at times ironic endnotes. The interface of the two works is inevitably problematic. Stoker’s ‘prurient, highly coloured sensationalist prose’, according to A. N. Wilson’s introduction to the 1983 Oxford World’s Classics edition of ., ensures that Tt is not a great work
越自我
发表于 2025-3-27 20:08:51
Stefan E. Pambuccian,Ricardo H. Bardalesnsation, portraying in lurid detail the opulent depravity of the Parisian upper classes and the miserable, squalid lives of the city’s poor. To Poe’s horror, the novel’s sentimental treatment of the nineteenth century’s core conceptual opposition of ‘nature’ and ‘the city’, its titillating . of urba
滔滔不绝地说
发表于 2025-3-27 22:37:00
Stefan E. Pambuccian,Ricardo H. Bardalesnsation, portraying in lurid detail the opulent depravity of the Parisian upper classes and the miserable, squalid lives of the city’s poor. To Poe’s horror, the novel’s sentimental treatment of the nineteenth century’s core conceptual opposition of ‘nature’ and ‘the city’, its titillating . of urba
N防腐剂
发表于 2025-3-28 05:36:59
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Gingivitis
发表于 2025-3-28 06:15:38
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Magnitude
发表于 2025-3-28 12:33:02
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