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Lost, or Rather Surviving as a Very Short Documenterested in early modern theatre must accept that to get the most out of the material they do have, they will frequently be working with plays which are, and remain, lost. How do we theorize this problem?懒惰民族 发表于 2025-3-22 03:57:01
Lumpers and Splittersre series. Splitters moved decisively into the field in the 1980s, giving us two texts of . in the Oxford Shakespeare (1982), while the latest Arden . appeared as three texts in two distinct volumes (2006). The splitting of . could further continue by including plays for which we no longer have the泥沼 发表于 2025-3-22 08:26:18
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Reimagining Gillian: , and the Lost “Friar Fox and Gillian of Brentford.”. Gillian was an infamous, possibly fictional but probably real, woman from the London suburb of Brentford.. She makes her first literary appearance as a lewd innkeeper in a poem first published in 1563, yet by the 1590s she is transformed into a witch or, more appropriately, a cunning woman. In tbrowbeat 发表于 2025-3-22 19:12:06
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