使无效
发表于 2025-3-23 12:44:39
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荒唐
发表于 2025-3-23 15:23:22
Mengting YuPresents an entirely new historical understanding of women artists’ roles and contributions in academic institutions and key exhibition groups in London during the early 1900s.Examines the nature and
做作
发表于 2025-3-23 18:35:20
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Fallibility
发表于 2025-3-23 23:16:39
Introduction,Many of the painters who dominated the history of British art at the beginning of the twentieth century had studied under Frederick Brown (1851–1941) during his professorship at the Slade School of Fine Art.
Mercantile
发表于 2025-3-24 03:16:38
https://doi.org/10.1007/978-981-15-5705-7Talented and Decorative Group; London’s women artists; London exhibition societies; 20th century Britis
不朽中国
发表于 2025-3-24 07:32:39
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纹章
发表于 2025-3-24 12:01:12
,Women Artists at the Slade School of Fine Art in the Pre-war London, 1910–1914,Slade was characterized as a “society” that was far from tranquil and harmonious, perhaps a microcosm of the greater and wider discontent evident in the capital in the pre-war years. By paying attention to the society outside of the college walls, the “gulf” and “crisis” within the walls can be more
粘
发表于 2025-3-24 18:47:35
Women Artists and English Exhibiting Societies,y became affiliated with or participated in between 1900 and 1914. The focus is on the New English Art Club (NEAC) with its inextricable link to the Slade by ties of tutorship and the aesthetic legacy of France, the liberal and inclusive Allied Artists’ Association (AAA), and the innovative London G
广大
发表于 2025-3-24 19:14:31
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arbovirus
发表于 2025-3-25 02:08:54
,Women’s International Art Club: Inclusivity, Diversity and Femininity, 1900–1914,rom newly located archives, this chapter constructs a useful body of knowledge then instigates a reevaluation and repositioning of an important gender-centric art group established by, and for, British women artists. It was suggested by critics of the time that WIAC exhibitions represented the gener