知道
发表于 2025-3-23 10:56:03
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Processes
发表于 2025-3-23 17:57:28
978-1-349-70102-5The Editor(s) (if applicable) and The Author(s) 2018
不能强迫我
发表于 2025-3-23 20:45:02
Local Invisibility, Postcolonial Feminisms978-1-137-50670-2Series ISSN 2945-7491 Series E-ISSN 2945-7505
联合
发表于 2025-3-23 23:19:14
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arsenal
发表于 2025-3-24 02:35:58
Red and Gold Washing,y recent California exhibits. Many contemporary art institutions embrace curatorial choices that silently marginalize diasporic artists in the USA, involuntarily erasing historical connections and continuities across the Pacific Rim, all the while reassuring Western audiences of their cosmopolitanis
IVORY
发表于 2025-3-24 09:00:20
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heckle
发表于 2025-3-24 12:40:07
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habitat
发表于 2025-3-24 17:01:12
2945-7491 hanged throughout the twentieth century to the presentThis book offers gendered, postcolonial insights into the poetic and artistic work of four generations of female Asian American artists in the San Francisco Bay Area. Nancy Hom, Betty Kano, Flo Oy Wong, Trinh T. Minh-ha, Theresa H.K. Cha, and Hu
几何学家
发表于 2025-3-24 22:59:30
Asian American Art for the People,ially the Kearny Street Workshop and the legendary I-Hotel struggle, give a sense of the cross-pollination among artists, activists, feminists, Maoists, people of color and working-class immigrants of various Asian communities—a unique environment that gave strength to the Asian American movement in the Bay Area.
有助于
发表于 2025-3-25 03:02:11
Traces and Visions of In-Betweenness,uestions on Asianness in the West, questions of gender, marginality and colonialism. The chapter concludes that Trinh and Cha embrace a poetic based on “becoming other,” short-circuiting fixed identities like ethnicity and nationality, while escaping a celebratory cosmopolitanism through an ontological and aesthetic shift.