使厌恶
发表于 2025-3-23 13:06:50
Joseph Acquisto diskutiert (vgl. Kapitel 4.1). Hierzu zählen die Beschreibung der Datenerhebung, die Analyse der Datengrundlage, die Beschreibung der Methodik der quantitativen Analyse inklusive relevanter Gütekriterien sowie der Entwurf der Vorgehensweise. Der zweite Schritt widmet sich der eigentlichen empirisch
拱形面包
发表于 2025-3-23 17:34:55
http://reply.papertrans.cn/59/5875/587492/587492_12.png
农学
发表于 2025-3-23 20:33:17
http://reply.papertrans.cn/59/5875/587492/587492_13.png
–scent
发表于 2025-3-23 23:10:55
Schopenhauer: Resignation, Compassion, and Narrative,nd meaning for lived experience that accounts for suffering and injustice, he appeals to metaphors and to plot structures such as comedy and tragedy as a way to structure interpretation in ways that provide structural coherence to experience. Readers find themselves both actors in, and interpreters
–LOUS
发表于 2025-3-24 03:49:17
http://reply.papertrans.cn/59/5875/587492/587492_15.png
诱骗
发表于 2025-3-24 08:42:08
,Pessimism and the Novel: Fiction and the “As-If”, writers deepen the interrelation between philosophical reflection and literature in terms of engaging pessimism, not through ., but rather by inciting thought through a . of characters, providing a testing ground for how to live well given a desirable but impossible resignation. By stripping charac
Autobiography
发表于 2025-3-24 13:54:23
Pessimism and the Poetic Imagination,ities inherent in the search for meaning in a pessimistic context. Poets such as Louise Ackermann write in the wake of the refusal of transcendence and the disappointment of both knowledge and ignorance. Poets portray the end of the world; Leconte de Lisle and Jules Laforgue allow us an imaginative
accordance
发表于 2025-3-24 15:09:26
http://reply.papertrans.cn/59/5875/587492/587492_18.png
Osteons
发表于 2025-3-24 22:58:22
https://doi.org/10.1007/978-3-030-61014-2Pessimism; Nineteenth-Century France; Modern French Literature; Philosophy and Literature; Schopenhauer
嘴唇可修剪
发表于 2025-3-25 01:35:44
http://reply.papertrans.cn/59/5875/587492/587492_20.png