泥沼
发表于 2025-3-25 06:01:49
Overview: The digital broadcasting of performances to cinemas, or ‘livecasting‘, burst onto the world scene in 2006. This book explores the reasons for its rise, examines the aesthetics of filming theatre and opera performances, and explores who the audiences are and what they want.978-1-137-28869-1
prodrome
发表于 2025-3-25 08:43:08
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Femine
发表于 2025-3-25 15:05:10
,A Portrait of Livecasts’ Audiences,ncluding that of older audiences returning to the cinema for these events, and engaging committedly and emotionally with them. The chapter shows and explores two broad kinds of response, ‘Expert’ and ‘Immersive’ orientations, which have quite opposite and indeed conflicting expectations of these events.
不能和解
发表于 2025-3-25 19:39:56
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悲痛
发表于 2025-3-25 21:03:48
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hauteur
发表于 2025-3-26 02:04:10
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Endearing
发表于 2025-3-26 05:06:26
The Aesthetics of Livecasting,their heightened artificiality — have required a rather different approach, in which the use of the overall stage remains of greater importance. Three New York Met broadcast operas are closely analysed to show emerging solutions to these challenges.
彻底明白
发表于 2025-3-26 11:26:51
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neurologist
发表于 2025-3-26 14:13:50
The Next Research Tasks?,t sediment and standardise – and in consequence to the future attitudes towards them of academics (for many of whom issues around ‘liveness’ carry heavy theoretical and even political loads); and to the potentials for future research into audiences for these kinds of events, and how the idea of the ‘cinema audience’ might be altered as a result.
谦虚的人
发表于 2025-3-26 19:22:05
,Quadcopter UAV Swarm Formation and Avoidance Collision System,swarm formation avoidance collision system that comprises two layers of collision avoidance strategies. The first layer utilizes an artificial potential field method with small-amplitude angular perturbations to overcome local minimum problems and achieve simple avoidance using position information.