能干
发表于 2025-3-21 19:10:37
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LEERY
发表于 2025-3-21 20:46:09
Alice Gavinn Ende der siebziger und achtziger Jahre in Deutschland ist die sogenannte Normalbiographie des (normalen) Übergangs von der Schule zur Berufsausbildung und in berufliche Beschäftigung für Jugendliche brüchig, ungewiß und riskant geworden. Das hat Folgen für die Lebenslagen und Orientierungen der vo
打火石
发表于 2025-3-22 02:56:56
egies between security and experimental life forms. Obviously previous youth research was stuck to the socalled ‘normal life course’ presupposing the individual solution of these tasks in the youth stage. In order not to hide the ongoing changes and challenges of social integration and social exclus
皮萨
发表于 2025-3-22 05:13:58
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abolish
发表于 2025-3-22 12:13:48
Intermedium,olly Corner’, Spencer Brydon becomes preoccupied by the thought of who he would have been had he remained in New York City instead of moving to Europe. The thought that he might have started ‘some new variety of awful architectural hare and run it till it burrowed in a gold mine’ sounds in his head
ADOPT
发表于 2025-3-22 13:04:44
Intramedium,o . that can imagine itself [.] to be an inexpressible value.’. The . of which Cavarero speaks need not be located in a particular text. Instead, ‘The strange possibility of leaving the text out of consideration means simply that it is not necessary for us to know the other’s story, in order to know
细微的差异
发表于 2025-3-22 18:12:09
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Semblance
发表于 2025-3-23 00:25:44
Literature,ithout doubt, the whereabouts of literary beings are never simply geographical. Location is also a case of locution. For a literary being, language is their whole world. Whenever such a creature wonders where in their world they are, whether or not their question is throwaway, their question is a wo
贪婪性
发表于 2025-3-23 02:24:43
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短程旅游
发表于 2025-3-23 06:00:33
Intramedium,ject’, a love Cavarero also associates with modernity’s ‘loss of the world.’. Against this interiorized being Cavarero puts forth a ‘narratable’ but not necessarily narrated self, a self she aligns with . as opposed to what we are, with the desire to hear one’s story over and above that story’s cont