Intentional 发表于 2025-3-26 23:55:29
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,“She Sought a Spiritual Heir”: Cosmopolitanism and the Pre-Suburban in ,e personal note in life. All Wilcoxes did”) and, alternately, with coy opacity (“o them Howards End was a house: they could not know that to her it had been a spirit, for which she sought a spiritual heir”).. While he makes a case for the spNADIR 发表于 2025-3-27 08:05:22
,The Space of Russia in Joseph Conrad’s ,e of space is also its most prominent spatial entity: Russia itself. Just as the Greenwich Meridian Observatory symbolically overshadows the events in . and Mt. Higuerota overshadows the events in ., so also does Russia symbolically (and literally) overshadow the events in .. By the novel’s conclusiAblation 发表于 2025-3-27 13:03:34
,“History, Mystery, Leisure, Pleasure”: Evelyn Waugh, Bruno Latour, and the Ocean Liner,he 1960s in favor of airplanes and container ships—matured both as a physical object and as a cultural construction during the period of literary modernism. These ships attracted a great deal of attention from journalists, architects, artists, designers, and writers, whose bevy of verbal and visualconfederacy 发表于 2025-3-27 14:06:02
To the South England, to the West Eternity: Mapping Boundlessness in Modern Scottish Fiction,part of maps of Britain and of Europe, to the mid-seventeenth century, when Scotland was “arguably, one of the best-mapped countries in the world.” Fleet, Wilkes, and Withers’s aim is “to examine how and why Scotland became, and has continued to be, a mappable object.”. The authors also highlight Sc详细目录 发表于 2025-3-27 20:36:47
Leaving the Landscape: Mapping Elsewhereness in Canadian City Literature,crease in literary attention to cities.. In fact, there is a rather long list of Canadian novels dealing with Canadian cities dating back to the origins of Canadian literatures in both official languages. Yet, as the editors of a 2005 collection . point out, “Although there is a tradition of urban wlavish 发表于 2025-3-27 22:57:33
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On and Off the Map: Literary Narrative as Critique of Cartographic Reason,e coordinates of fiction to the geohistorical world of reference, variously known as the “zero-world,” “geospace,” or “actuality,” and to acknowledge the formative capacity of literary representations to augment, correct, or supplant that world. Mapmaking in a literary-critical context. capitalizes