珐琅 发表于 2025-3-23 10:13:29
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Philip Ross Bullockiod of time, their vision autonomous from politics? Has this autonomy had an effect on the public debate? Although the answers to these questions will no doubt be different for each of the case studies—as the figures and problems discussed in the various essays represent very different experiences—wlaceration 发表于 2025-3-24 00:56:34
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Laura Scuriattism of the late 1930s is characterized by a more evident expression of cultural violence, it seems clear that specialized music criticism, as well as the majority of the Italian press of the early 1930s, contributed strongly to creating the conditions for a conscious political self-fascistization.灯泡 发表于 2025-3-24 12:16:31
Stefano Evangelistassenschaft des Judentums; the role of international Jewish agencies in the years of Fascist racial persecution; the interactions between Italian Jewry, JDPs and Zionist envoys after Word War II; and the impact of Zionism in transforming modern Jewish identities..978-3-030-07762-4978-3-319-89405-8团结 发表于 2025-3-24 16:27:03
ssenschaft des Judentums; the role of international Jewish agencies in the years of Fascist racial persecution; the interactions between Italian Jewry, JDPs and Zionist envoys after Word War II; and the impact of Zionism in transforming modern Jewish identities..978-3-030-07762-4978-3-319-89405-8excrete 发表于 2025-3-24 22:31:44
,Introduction: Literary Capitals in the Long Nineteenth Century—Spaces beyond the Centres,reception and representation. The second part traces how these affinities are explored in the book through nine different places: Calcutta, Hong Kong, Buenos Aires, Pest-Buda, Helsinki, Dublin, Trieste, Florence and Rome. It ends by considering how some of the ideas discussed in the different chapte无价值 发表于 2025-3-25 02:58:49
Producing the Colonial Capital: Calcutta in Handbooksores its relationship with nostalgia. The ‘Calcutta Handbooks’ in this reading emerge as a safety valve to quell the territorial anxiety of the city’s white residents and travellers. By contextualising this genre within the time frame (1880–1930) of the turbulent political shifts alongside which it