领带 发表于 2025-3-25 04:46:26
the way that trauma is aesthetically expressed. Modernism‘s emphasis on impersonality and narrative abstraction has been replaced by the contemporary trauma memoir and an ethical imperative to bear witness.978-1-349-45682-6978-1-137-31101-6macular-edema 发表于 2025-3-25 11:10:06
,‘The Most Difficult Abstract Piece of Writing’: ‘Time Passes’ as Container,With Bradbury and McFarlane, moreover, I perceive the ‘formal crisis’ of high modernism, its experimentalism, as ‘a crisis of culture’ which ‘often involves an unhappy view of history’ (1976: 26).. The modernist author is not merely experimenting with narrative for the sake of aesthetics, but is ‘under specific, apparently historical strain’:陈腐思想 发表于 2025-3-25 13:58:51
,Woolf’s Embodied Cognitive Aesthetics: ,ory through its concern with the intricate correlation between perception, cognition and intuition within subjective experience. The future novel, Woolf stipulates, ought to ‘ the scope […] so as to dramatise some of those influences which play so large a part in life, yet have so far escaped the novelist’:brother 发表于 2025-3-25 19:08:08
http://reply.papertrans.cn/59/5871/587093/587093_24.pngtinnitus 发表于 2025-3-25 20:54:35
http://reply.papertrans.cn/59/5871/587093/587093_25.png打算 发表于 2025-3-26 00:31:44
http://reply.papertrans.cn/59/5871/587093/587093_26.png情节剧 发表于 2025-3-26 05:37:22
Reina C. van der Wielia, this work offers the first comprehensive overview of a phenomenon that has profoundly shaped recent Italian history..978-3-030-17814-7978-3-030-17812-3Series ISSN 2635-2931 Series E-ISSN 2635-294XHerd-Immunity 发表于 2025-3-26 11:52:29
Reina C. van der Wielia, this work offers the first comprehensive overview of a phenomenon that has profoundly shaped recent Italian history..978-3-030-17814-7978-3-030-17812-3Series ISSN 2635-2931 Series E-ISSN 2635-294X火海 发表于 2025-3-26 16:27:53
http://reply.papertrans.cn/59/5871/587093/587093_29.pngCarminative 发表于 2025-3-26 18:50:58
Introduction: Trauma, Psychoanalysis, Literary Form, past’ in a bid ‘to transform Freud’s distinctions between remembering, repeating and working[-through] […] into a model for cultural or political critique’ (2008: 213). Without losing sight of this influential trauma paradigm, . makes this attempt by refashioning Sigmund Freud’s famous dictum into