committed
发表于 2025-3-23 12:43:29
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无力更进
发表于 2025-3-23 15:10:04
Olga Oleinikovaare not what they seem to be. In deviating from the established tradition, Conrad makes new use of the trappings of romance, but does not ridicule them. He has no intention of writing farce or parody but wishes to indicate by his subtle metamorphosis that they can no longer be accepted at face value
常到
发表于 2025-3-23 19:40:35
the last servants of the colonial adventure are gathering dust in the vast necropolis of Whitehall — like so many mummies wrapped in funereal bands: ‘“Here I am stuck in a litter of paper,” he reflected with unreasonable resentment.’ Litter/letter. With the setting sun, the scribes can now recline
debouch
发表于 2025-3-23 22:21:44
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神秘
发表于 2025-3-24 03:34:25
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panorama
发表于 2025-3-24 06:49:48
Olga Oleinikova’ on shore and confronts it with the operations of contemporary capital. Captain Mitchell and Nostromo are both sailors ‘come ashore’ from the multinational world of ships to the multicultural society of Costaguana. Through their presence in the novel, Conrad foregrounds ideas of ‘service’ based on
密切关系
发表于 2025-3-24 11:02:27
s’s actions provides a model for a narrative method which involves the reader through the narrator’s questioning and allows the narrator to question his own values.. Conrad, however, did not pass smoothly from . to ‘Heart of Darkness’ and .. Most of 1896 and 1897 was taken up with work on two unfini
对待
发表于 2025-3-24 17:09:17
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organism
发表于 2025-3-24 20:17:24
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恶名声
发表于 2025-3-25 03:07:17
ch Straubing auswanderten, deren einer, ., als Bürger und Glaser dort gestorben (1729) und im Friedhof St. Peter beerdigt, urkundlich erwähnt wird; St. Peter blieb in der Folgezeit die Grabstätte aller Mitglieder der Familie . in Straubing; ., der dritte Bruder der schon genannten zwei, welcher in M