繁荣中国 发表于 2025-3-26 21:03:11

Introduction,s but also in a broader discursive sphere as well as in civic and political life. In other words, what factors influenced the extent to which alternative media producers managed to use digital tools in liberating ways, opening a space for participation . technology (as content producers) and . technology (as engaged citizens)?

斗争 发表于 2025-3-27 04:36:20

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细菌等 发表于 2025-3-27 08:56:54

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Budget 发表于 2025-3-27 11:59:59

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sterilization 发表于 2025-3-27 16:59:36

,The Roots of El Salvador’s Alternative and Digital Media Environment,g limited Internet access in this digital era, require a hybridized, or . (Martín Barbero 1993), approach to the understanding of alternative media. This chapter provides an overview of what other scholarly research shows about alternative media and its relationship to activism, participation, and technology.

DEFER 发表于 2025-3-27 19:01:29

Diario CoLatino,heir professional identity as journalists also hindered participation . technology. Despite having verbalized their recognition of the participatory and liberating potential of ICTs, the journalists maintained their mediator roles, speaking on behalf of the voiceless rather than using technology to let the voiceless speak for themselves.

疏远天际 发表于 2025-3-28 01:34:30

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CESS 发表于 2025-3-28 05:05:57

ethods.Bridges theory and practice by blending critical anal.This ethnographic study explores how four alternative media projects in El Salvador integrated digital technologies—particularly social media—into their practices, and whether incorporating these technologies affected citizen participation

Obstreperous 发表于 2025-3-28 07:24:14

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结束 发表于 2025-3-28 13:56:26

Summer HarlowAnalyzes based on extensive field research in El Salvador as well as online research of social media.Combines qualitative and quantitative methods.Bridges theory and practice by blending critical anal
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查看完整版本: Titlebook: Liberation Technology in El Salvador; Re-appropriating Soc Summer Harlow Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 El