整体 发表于 2025-3-25 05:04:11
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ignificant threat to their ancestral domain. Furthermore, this chapter investigates how the media portrayed the state’s narrative in contrast to the narrative of the resistance against the Chico Dam construction spanning the 1970s to the 1980s. It also considers the context of the demolition of thebeta-cells 发表于 2025-3-25 17:00:49
Gillian Carrignificant threat to their ancestral domain. Furthermore, this chapter investigates how the media portrayed the state’s narrative in contrast to the narrative of the resistance against the Chico Dam construction spanning the 1970s to the 1980s. It also considers the context of the demolition of the不怕任性 发表于 2025-3-25 21:02:51
Gillian Carr death” (92), this chapter explores how the rendering of death in the film . is primarily entwined in the unequal economic distribution, anti-poor policies that favor foreigners, and draconian power interplay propagated by the Philippine state. Furthermore, the systemic disenfranchisement toward Indapropos 发表于 2025-3-26 03:04:34
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Gillian Carr In addition, this chapter also discusses how indigenous peoples predict various climatic events in their own ways. Finally, in this chapter, we have outlined why it is important for the well-being of indigenous peoples and their resilience to climate change to integrate local or traditional knowledaptitude 发表于 2025-3-26 13:24:31
Legacies of Occupation,ventually erased altogether from the landscape. Private occupationscapes, on the other hand, need no such public endorsement or memorialisation and can incorporate both existing and erased legacies. The concept of the occupationscape allows cultural landscapes of military Occupation in Europe and fuflamboyant 发表于 2025-3-26 20:50:17
Militaria: Collecting the Debris of War,eople who, from childhood, have tracked down and ‘rescued’, ‘liberated’ or ‘souvenired’ the objects, swapped them in the school playground and persuaded friends and relations to part with them or source them and who continue to trade them today or display them in their private museums. In this chapt