心胸狭窄 发表于 2025-3-26 23:18:12

Knut Hamsun’s “White Negro” from , (1936)—Or the Politics of Raceude had appeared as early as the 1890s. It colored his portrayal of Others in a number of his texts, most visibly perhaps in his 1889 book . (The Cultural Life of Modern America, .) and his 1910 play . (In the Grip of Life, .).. The utopian primitivism of his 1917 novel . (Growth of the Soil, .) is

Increment 发表于 2025-3-27 03:03:23

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字形刻痕 发表于 2025-3-27 06:33:02

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forestry 发表于 2025-3-27 10:22:44

Politicizing Painting: The Case of New Objectivityr of the Mannheim Kunsthalle—the Mannheim Hall of Art), welcomed Neonaturalism as a healthy antidote to tired and worn-out aesthetic idioms (Westheim 371–73), while Ludwig Meidner waxed rhapsodic about the new trend toward detailed figuration, proclaiming his allegiance no longer to the expressive g

不确定 发表于 2025-3-27 14:42:31

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柱廊 发表于 2025-3-27 21:51:47

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俗艳 发表于 2025-3-28 01:49:11

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女歌星 发表于 2025-3-28 06:00:45

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庄严 发表于 2025-3-28 07:49:52

Maria Makelafuel to water) diversely related to extractivism in rural and urban settings. How can Amerindian strategies to preserve localised communities in extractivist contexts contribute to ways of thinking otherwise?.978-3-030-06660-4978-3-319-93435-8Series ISSN 2946-305X Series E-ISSN 2946-3068

ANT 发表于 2025-3-28 14:26:31

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查看完整版本: Titlebook: Legacies of Modernism; Art and Politics in Patrizia C. McBride (Associate Professor of German Book 2007 Palgrave Macmillan, a division of