Dri727
发表于 2025-3-27 01:02:34
Caught Off Guard at the Crossroads of Ideology and Affect: Documentary Films by the Daughters of Reves, social roles, and identities. In their films, male subjects, whose actions make women vulnerable, feature as “perpetrators” within the family scene. Nevertheless, the filmmakers challenge these (inherited) masculine versions of history and mobilize memory as a powerful tool to rewrite tragic experiences and affirm an identity in the present.
雇佣兵
发表于 2025-3-27 03:24:36
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感情
发表于 2025-3-27 09:05:04
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Indent
发表于 2025-3-27 10:35:52
Third Cinema” of the 1960s and 1970s and the more subjective.Nearly two decades into the new millennium, Latin American documentary film is experiencing renewed vibrancy and visibility on the global stage. While elements of the combative, politicized cinema of the 1960s and 1970s remain, the region’
你正派
发表于 2025-3-27 13:58:15
Book 2016e elements of the combative, politicized cinema of the 1960s and 1970s remain, the region’s production has become increasingly subjective, reflexive, and experimental, though perhaps no less political. At the same time, Latin American filmmakers both respond to and shape global tendencies in the gen
invert
发表于 2025-3-27 19:32:25
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CON
发表于 2025-3-27 23:31:29
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轻快来事
发表于 2025-3-28 03:23:06
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开始从未
发表于 2025-3-28 06:39:35
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CLAY
发表于 2025-3-28 10:29:15
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