Ergots
发表于 2025-3-25 03:38:26
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袖章
发表于 2025-3-25 10:28:01
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细节
发表于 2025-3-25 12:30:40
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广告
发表于 2025-3-25 17:07:50
Algeria Time and Water Logic: Image, Archive, Mediterranean Futurityrisis-Scapes. I argue that the ways in which Algeria is discussed in contemporary French artistic spaces is beginning to change, and coincides with the 2019 hirak protest movements in Algeria. I expand on what I am calling Algeria Time in three movements. First, the maritime output of contemporary v
禁止
发表于 2025-3-25 22:40:20
Greek Weird Wave; Or, on How to Do a Cinema of Biopoliticses, a “Cinema of Biopolitics” that reflects on how systems of power manage groups of people (from a family to a population) and the bodies of individuals. It is a cinema equally sensitive to forms of response, to noise, unease, and subversion. In order to speak about what is certainly a much larger
inscribe
发表于 2025-3-26 03:34:31
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Expertise
发表于 2025-3-26 05:06:28
Ice-as-Money and Dreams-as-Ice: Christos Ikonomou’s “The Blood of the Orange” and the Critique of Liways of understanding and representing the financial crisis. Focusing on the repeated gesture of melting ice cubes in one of the character’s hands, as a curious form of protesting his work in an Athenian ice cube factory, Bækgaard traces how the short story’s various figurations of ice—as money, as
extemporaneous
发表于 2025-3-26 10:32:52
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licence
发表于 2025-3-26 14:25:08
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迅速成长
发表于 2025-3-26 17:06:41
2730-9282 ns of crisis across the Mediterranean that disengage from do.This collection rethinks .crisis. in relation to .critique. through the prism of various declared ‘crises’ in the Mediterranean: the refugee crisis, the Eurozone crisis, the Greek debt crisis, the Arab Spring, the Palestinian question, and