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发表于 2025-3-23 10:22:12
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提名
发表于 2025-3-23 16:25:23
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Catheter
发表于 2025-3-23 21:57:24
Frames, Canvases, and Perspectives,ceived and might understand the world. Such ideas were often embedded in larger and widely regarded philosophies that combined aesthetic and political reasoning and focused on how imagination, beauty, sublimity, truth, nature, virtue, and worth could aid the progress of individuals, societies, and n
慷慨援助
发表于 2025-3-24 00:40:32
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Corral
发表于 2025-3-24 03:14:52
Relocation and Return: Lycett and Prout, his sojourns around the colony, during which he produced many sketches and watercolours of landscapes and Aboriginal people that record his encounters with place and displacement. Respectively, too, Lycett’s and Prout’s stories are about their own relocations (one forced and the other free) and voy
浓缩
发表于 2025-3-24 09:10:17
Making Home Place: Allport and Meredith,nciples pertaining to taste, landscape, and place, including home in its most domestic sense. Their works are distinctive and were and remain important to Vandemonian imaginings because, by making home place, they rounded out a set of imperial agendas in picturesque and romantic depictions and assoc
jaundiced
发表于 2025-3-24 12:03:48
Reflections and Horizons,o being a pastoral, picturesque, and morally uplifting life that had been initially designed in the heartlands of empire, Van Diemen’s Land was—and this settled space arguably remains—an unsettled place. Thus, what happened in the past also matters now as all of us grapple with the legacies of imper
GROWL
发表于 2025-3-24 15:39:11
https://doi.org/10.1007/978-981-99-5419-3Colonial imperialism; Intellectual history; Landscape art; Space and place; Geohumanities; Van Diemen’s L
侵略者
发表于 2025-3-24 21:36:25
978-981-99-5421-6The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Singapor
glans-penis
发表于 2025-3-24 23:51:08
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