无价值 发表于 2025-3-23 10:55:35
Ellen E. Mooreten lassen sich durch einen kulturellen Wandel der Emotionalisierung – der expliziten Thematisierung, Förderung, Steuerung und In-Wert-Setzung von Emotionen – charakterisieren. Gefühle sind nicht mehr allein Objekte subjektiver und sozialer Kontrolle, sondern werden zu Gegenständen zahlreicher Soziaglomeruli 发表于 2025-3-23 15:51:31
Ellen E. Moore der Rezeption der Diskurse zur Postmoderne und Globalisierung sowie angesichts einer immer stärker globalisierten Weltwirtschaft und des damit einhergehenden Kulturwandels haben sich Konsumgesellschaft, Mediengesellschaft und Globalisierung als Leitthemen in der kultursoziologischen Forschung etablHyaluronic-Acid 发表于 2025-3-23 19:47:25
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Book 2017 with popular animated family films and progressing through spy thrillers, eco-thrillers, science fiction, Westerns, superhero films, and drama. This book is ideal for students and scholars in a variety of disciplines, including film, environmentalstudies, communication, political economy, and cultural studies..chassis 发表于 2025-3-24 07:30:13
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,Introduction: Greening the Machine—Hollywood Takes an Interest in the Environment, studies to include consideration of environmental issues through an examination of landscape as well as genre. The study of landscape permits the understanding that depictions of the natural landscape in popular Hollywood film conveys more about the “culture industry” itself than it does about enviHEDGE 发表于 2025-3-24 17:37:38
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The Spy Who Saved Me: Sustainability, Identity, and Intrigue in the Espionage Thriller,nd how this generic form impacts portrayals of the environment in two films: . and .. Each film represents a different environmental issue: in ., drought imperils a South American country; in ., it is climate change that threatens humanity. Although distinct in terms of plot and focus, the films sha要塞 发表于 2025-3-24 23:14:35
Imagining Disaster in the Eco-Thriller,s: .and . . Both films address environmental issues from different perspectives; what they have in common, however, is the portrayal of the environment as the central antagonist against which humans must fight for survival. In both films, the environment is violent and seeking revenge against humans