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Beckett’s ‘Marionette Theater’: Psychoanalysis, Ontological Violence, and the Language of Desubjectir of the Signifier’s living autonomy, Beckett’s postmodernism presents a paradox in which a life is projected onto and played out technologically through language at the very point that marks the subject’s disappearance into what Lacan calls ‘the Real,’ a radically desubjectified ‘beyond’ of both language and human consciousness.