Halcyon
发表于 2025-3-21 18:29:33
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吼叫
发表于 2025-3-21 22:58:34
978-3-030-40695-0The Editor(s) (if applicable) and The Author(s) 2020
富足女人
发表于 2025-3-22 04:11:50
https://doi.org/10.1007/978-3-030-40693-6Precarity; Contemporary Dance; Post-Fordism; Artistic Labor; European Dance Scene; Aesthetics
AUGUR
发表于 2025-3-22 06:03:34
Annelies Van AsscheScientifically reports the way the contemporary dance sector in Europe operates.Exposes the contradicting mechanisms related to the project-oriented labour and art market.Engages with precarity as a s
fallible
发表于 2025-3-22 09:51:41
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inhibit
发表于 2025-3-22 15:40:25
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混合,搀杂
发表于 2025-3-22 19:58:35
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抚育
发表于 2025-3-23 00:58:24
Field of Inquiry and Methodology,o of the socio-economic position of contemporary dance artists in Brussels and Berlin. In addition, I unravel the qualitative approach I have followed within the research project, undertaking one year of ethnographic fieldwork in each city. In order to fully grasp the working conditions in contempor
mitten
发表于 2025-3-23 01:57:19
‘Lifestyle Artists’f self-contradictory elements, including a bohemian lifestyle versus a strenuous work ethic. Drawing on my qualitative data, I outline that at least the contemporary dance artists within my fieldwork construct a habitus, where work time and private life are closely intertwined, or even depend on one
吸引人的花招
发表于 2025-3-23 08:55:50
Survival Artistste the economic challenges affecting their work and lives. Especially the outline on the different forms of internal subsidization illustrates that in the art world, money is not an end but a means. All in all, I address several individual survival tactics that demonstrate that the contemporary danc