ablate 发表于 2025-3-25 04:37:19
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http://reply.papertrans.cn/55/5449/544838/544838_22.pngDIS 发表于 2025-3-25 13:30:05
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http://reply.papertrans.cn/55/5449/544838/544838_24.pngBRACE 发表于 2025-3-25 21:12:34
s in the novel suggest a writer grasping for a form of representation that trades in the mystery of the Gothic yet employs the detailed, documentary perspective of a social problem novel. I suggest that the text seeks to resolve this difficulty via a reconfiguration of Gothic spaces. That is, it proMalleable 发表于 2025-3-26 03:56:30
http://reply.papertrans.cn/55/5449/544838/544838_26.png伟大 发表于 2025-3-26 05:39:16
http://reply.papertrans.cn/55/5449/544838/544838_27.png招惹 发表于 2025-3-26 11:37:42
http://reply.papertrans.cn/55/5449/544838/544838_28.pngHost142 发表于 2025-3-26 12:42:46
roughout the series, the “Gothic property” in question, 657 Boulevard, is just a house. The Gothic nature of the property, therefore, is revealed to be psychological rather than supernatural, with the haunted incidents constructed by individuals who seek to reinstal an idealised past by ousting thegregarious 发表于 2025-3-26 17:47:41
a rapid rate thus it is ever easier to create sophisticated and compelling videos. This has sparked concerns from politicians and international organisations about how these types of videos may be weaponised for malicious ends. These fears have fed into the post-truth era in the second decade of the