让空气进入 发表于 2025-3-25 04:23:35
http://reply.papertrans.cn/55/5438/543733/543733_21.pngAgronomy 发表于 2025-3-25 10:19:25
Meniscal-Bearing Knee Arthroplastye wear. Lowering contact stresses to within the reported medical load limit of 5 . (22) while allowing kinematically acceptable motion provides a meniscal bearing surface that is resistant to fatigue wear and has demonstrated normal abrasive wear behavior over a 20 year period as seen in both clinic陈列 发表于 2025-3-25 15:37:38
Total Internal Constraint Prosthesissults obtained. In recent years, the increase in cases of knee replacement to be submitted to revision, and the development of “less rigid” prosthetic designs, have brought these models back to the lime light. Thus, it is the purpose of this chapter to evaluate the relevance of prostheses with great轻而薄 发表于 2025-3-25 19:03:19
Wound Complications in Total Knee Arthroplastyilure (1). Prevention of soft-tissue problems through the proper selection of skin incision, an understanding of vascular anatomy and patient risk factors, and prompt management should wound problems arise, is imperative to achieve desired results.幻影 发表于 2025-3-25 20:53:11
http://reply.papertrans.cn/55/5438/543733/543733_25.pngMusculoskeletal 发表于 2025-3-26 02:06:06
http://reply.papertrans.cn/55/5438/543733/543733_26.pngoctogenarian 发表于 2025-3-26 07:28:40
http://reply.papertrans.cn/55/5438/543733/543733_27.pngBAN 发表于 2025-3-26 11:06:12
http://reply.papertrans.cn/55/5438/543733/543733_28.pngProcesses 发表于 2025-3-26 13:20:47
Frederick F. Buechel theatre. The application of supplement, ., and trace as critical instruments foregrounds the acts of suspending and deferring the presence of an object and its ultimate meaning. A deconstructive analysis might thus suggest that . is becoming less present and visible in post-war drama and theatre, s阴险 发表于 2025-3-26 20:22:54
Giorgio Fontanesi,Roberto Rotinifference takes the form of . understood as an open-ended process. In Heiner Müller’s ., this process is uniquely structured as machine-like production of meaning. Müller’s concept of a deconstructive meaning-making machine works in a symmetrical opposition to Giorgio Agamben’s anthropological machin