落后的煤渣 发表于 2025-3-21 19:53:00
书目名称Kinesthetic Spectatorship in the Theatre影响因子(影响力)<br> http://impactfactor.cn/if/?ISSN=BK0543044<br><br> <br><br>书目名称Kinesthetic Spectatorship in the Theatre影响因子(影响力)学科排名<br> http://impactfactor.cn/ifr/?ISSN=BK0543044<br><br> <br><br>书目名称Kinesthetic Spectatorship in the Theatre网络公开度<br> http://impactfactor.cn/at/?ISSN=BK0543044<br><br> <br><br>书目名称Kinesthetic Spectatorship in the Theatre网络公开度学科排名<br> http://impactfactor.cn/atr/?ISSN=BK0543044<br><br> <br><br>书目名称Kinesthetic Spectatorship in the Theatre被引频次<br> http://impactfactor.cn/tc/?ISSN=BK0543044<br><br> <br><br>书目名称Kinesthetic Spectatorship in the Theatre被引频次学科排名<br> http://impactfactor.cn/tcr/?ISSN=BK0543044<br><br> <br><br>书目名称Kinesthetic Spectatorship in the Theatre年度引用<br> http://impactfactor.cn/ii/?ISSN=BK0543044<br><br> <br><br>书目名称Kinesthetic Spectatorship in the Theatre年度引用学科排名<br> http://impactfactor.cn/iir/?ISSN=BK0543044<br><br> <br><br>书目名称Kinesthetic Spectatorship in the Theatre读者反馈<br> http://impactfactor.cn/5y/?ISSN=BK0543044<br><br> <br><br>书目名称Kinesthetic Spectatorship in the Theatre读者反馈学科排名<br> http://impactfactor.cn/5yr/?ISSN=BK0543044<br><br> <br><br>空洞 发表于 2025-3-21 22:43:05
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Kinesthetic Spectatorship in the Theatre978-3-319-91794-8Series ISSN 2945-7297 Series E-ISSN 2945-7300modest 发表于 2025-3-22 06:29:32
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Introduction,ip, the book addresses issues of disability and able-bodiedness as these pertain to movement and movement perception. Finally, the introduction advocates the productive collaboration of phenomenology and cognitive science, including recent theories of enaction and embodied cognition.考得 发表于 2025-3-23 00:27:47
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Movement, Attention, and Intentionality,hapter concludes with a discussion of contemporary performance attempts to establish a “post-intentional” theatre. Performances analyzed in this chapter include director Ivo van Hove’s production of ., Robert Wilson’s ., and the performative experiments of Stelarc and Cathy Weis.独裁政府 发表于 2025-3-23 08:52:51
Kinesthetic Resonance,tuational, multi-directional, and variable. Performances analyzed in this chapter includes Peter Hall’s film adaptation of Harold Pinter’s . and Deaf West’s revival of the musical ., which included deaf, hearing, and hard-of-hearing performers.