Oscillate
发表于 2025-3-25 04:13:58
Figurative Synthesis, Spatial Unity and the Possibility of Perceptual Knowledgeor productive imagination accounts for the possibility of perceptual knowledge of spatiotemporal objects. I consider three key points: First, I discuss some systematic issues regarding the precise relation between intellectual and figurative synthesis. I argue that figurative synthesis is in fact in
Encapsulate
发表于 2025-3-25 10:49:29
On Hegel’s Critique of Kant’s Subjectivism in the Transcendental Deduction focusing on the criticism that Hegel levelled against Kant’s (supposedly) arbitrary subjectivism about the categories. This relates to the restriction thesis of Kant’s transcendental idealism: categorially governed empirical knowledge only applies to appearances, not to things in themselves, and so
Instrumental
发表于 2025-3-25 12:39:02
http://reply.papertrans.cn/55/5419/541865/541865_23.png
注意力集中
发表于 2025-3-25 18:09:00
http://reply.papertrans.cn/55/5419/541865/541865_24.png
Diskectomy
发表于 2025-3-25 22:13:23
http://reply.papertrans.cn/55/5419/541865/541865_25.png
表脸
发表于 2025-3-26 02:33:22
http://reply.papertrans.cn/55/5419/541865/541865_26.png
不规则的跳动
发表于 2025-3-26 06:23:17
http://reply.papertrans.cn/55/5419/541865/541865_27.png
绅士
发表于 2025-3-26 08:41:03
comprehensive arguments within the framework of Kant’s radi.In this book, Dennis Schulting presents a staunch defence of Kant’s radical subjectivism about the possibility of knowledge. This defence is mounted by means of a comprehensive analysis of what is arguably the centrepiece of Kant’s .Critiq
colloquial
发表于 2025-3-26 14:22:16
Book 2017by means of a comprehensive analysis of what is arguably the centrepiece of Kant’s .Critique of Pure Reason., namely, the Transcendental Deduction of the Categories. Radical subjectivism about the possibility of knowledge is to be understood as the thesis that the possibility of knowledge of objects
insecticide
发表于 2025-3-26 18:48:33
ding. They reveal new knowledge that had only been available to music experts until this point. We propose the features for analyzing and comparing changes in arousal and valence over time and use them to compare selected well-known Ludwig van Beethoven’s Sonatas with several of the most famous song