capillaries
发表于 2025-3-25 04:29:02
,“I Was Happy When I was a Virgin”,rt project and . the place in Istanbul as efforts of creating zones of “deregulated experience”. Ataman’s work is not only about experience, it is in itself a form of experience and one which defies conventional viewing relations with art.
patriot
发表于 2025-3-25 10:24:22
Travelling Guide,e. Rather, it subverts the language and purpose of the format to speak directly to the clandestine Romanian traveler, the illegal immigrant worker, providing information on possible routes to take through border controls, ports and stations into western Europe.
hardheaded
发表于 2025-3-25 12:52:32
Springer-Verlag Vienna 2006
amenity
发表于 2025-3-25 19:49:57
https://doi.org/10.1007/3-211-38214-3Ataman, Kutlug; Küba; contemporary art; identity; migration; minorities
Frequency-Range
发表于 2025-3-25 20:53:52
An artistic response to the complex challenges presented by recent socio-political developments in Europe
Highbrow
发表于 2025-3-26 02:46:02
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是剥皮
发表于 2025-3-26 06:37:25
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Apraxia
发表于 2025-3-26 09:31:30
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Decrepit
发表于 2025-3-26 14:28:23
All One Knows,, Renata Poljak takes the risk of walking on an emotional tightrope, traveling from Belgrade to Vokovar with a companion, whereby she discovers herself as “Croatian”, an identity which she had never explicitly adopted. She perceives her environment, both surprised and overwhelmed by her own “incorrect”, because suddenly nationalist, feelings.
厌食症
发表于 2025-3-26 18:29:35
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