温和女人 发表于 2025-3-23 09:53:43
http://reply.papertrans.cn/55/5410/540999/540999_11.pngcogitate 发表于 2025-3-23 17:36:09
’, we call it fashion. Anything, not only apparel, can become the ‘content’ of the ‘form’ of fashion, although some objects are less amenable than others. These features of fashion are part of Simmel’s account of fashion. Simmel also notes that fashion operates like ‘honour’ in its ‘revolving withinoptional 发表于 2025-3-23 21:06:58
http://reply.papertrans.cn/55/5410/540999/540999_13.pngAVOID 发表于 2025-3-23 23:09:20
Miriam Czichonic form, irony, and self-expression.Highlights the critical .This book explores how two early modern and two modern Japanese writers – Yosa Buson (1716–83), Ema Saikō (1787–1861), Masaoka Shiki (1867–1902), and Natsume Sōseki (1867–1916) – experimented with the poetic artifice afforded by the East Awreathe 发表于 2025-3-24 02:21:06
http://reply.papertrans.cn/55/5410/540999/540999_15.png低位的人或事 发表于 2025-3-24 06:41:02
http://reply.papertrans.cn/55/5410/540999/540999_16.pngEstrogen 发表于 2025-3-24 12:49:16
Miriam Czichonf agreeing with one of Valerie Raoul’s statements about the genre without endorsing the arguments which produce it.. The reason for such conditional support is her general tactic of merely portraying characteristics and accepting them all as equally valid, with a resultant laxity over such things asMacronutrients 发表于 2025-3-24 15:07:48
Miriam Czichonf agreeing with one of Valerie Raoul’s statements about the genre without endorsing the arguments which produce it.. The reason for such conditional support is her general tactic of merely portraying characteristics and accepting them all as equally valid, with a resultant laxity over such things as含糊其辞 发表于 2025-3-24 23:00:26
http://reply.papertrans.cn/55/5410/540999/540999_19.pngEosinophils 发表于 2025-3-25 02:40:37
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